Max Li makes pictures, objects, and time-based situations. Driven by his interest in ritual, language, and chance, he embraces the unknown as a part of his formula for making.
His work inquires possible relations between:
-memory and its lifespan，
-motivation and mythology,
-chaotic and conditioned nature of evolution.
His interdisciplinary practice comprises tintype photography, mark making, sculpture, performance, and poetry, while his material includes language bits, screenshots, digital debris, found objects, repurposed furniture, commercial products, and toys.